Anaïk Morel

After her singing studies at the CNSM in Lyon with Françoise Pollet, she joined in 2006, for two years, the opera studio of the Bayerische Staatsoper, then was a member, from 2008 to 2012, of the ensemble of the Bayerische Staatsoper in Munich, where she was entrusted with the roles of Mercédès (Carmen), Fenena (Nabucco), Meg Page (Falstaff), Hansel (Hansel and Gretel), Sister Mathilde (Dialogues des Carmélites), Silla (Palestrina) and Carlotta (The Silent Woman). Since then, she has performed in Munich in The Tragedy of the Devil by Peter Eötvös and in Federica (Luisa Miller), at the Staatsoper Berlin and at the Scala in Milan (Die Walküre), at the Opera national de Lorraine (Lazuli in L 'Étoile, Boulotte in Barbe-Bleue), in Lyon and Bari (Mère Marie of Dialogues des Carmélites), at the Paris Opera (Siébel of Faust), in Saarbrücken and Stuttgart (Marguerite of La Damnation de Faust) . Most recently, she made her debut in the title role of Carmen in Stuttgart, which she did again in Zurich, Montpellier and at the Royal Opera House in London. She was Preziosilla (La force du destin) in Basel, Fenena (Nabucco) in Munich, Charlotte (Werther) in Klagenfurt and Zurich, Dido (Dido and Aeneas) at the Festival d'Aix-en-Provence, Sesto (La Clémence de Titus ) in Klagenfurt, the Composer (Ariane in Naxos) in Toulouse and Hamburg, Jocasta (Oedipus by Enesco) at the Salzburg Festival, Mère Marie (Dialogues des Carmélites) in Toulouse. Her projects include Carmen at the Hamburg Staatsoper, La Damnation de Faust at the Elbphilharmonie, Don Giovanni (Donna Elvira) in Hanover and Werther in Nice. She made her OnR debut in Charlotte (Werther) in 2018.

Update May 2020